First, examine this D.A. Pennebaker short film chronicling the wedding of Leary and Schlebrügge, "You're Nobody til Somebody Loves You" that includes some "lonely piano" music by jazz great Charles Mingus (which in itself confirms my feeling listening to "Black Saint and the Sinner Lady," that Mingus is Duke Ellington on an acid trip muppet melt-down). Writes Pennebaker:
"This movie is something of a mystery. Timothy Leary was getting married to a model named Nena Von Schlebrugge up in Millbrook, New York at the Hitchcock house, where Leary had been carrying on his hallucinogenic revelries for the past year or so after leaving Harvard. It was rumored that this was going to be the wedding of the season, the wedding of Mr. And Mrs. Swing as Cab Calloway put it. " - D.A. Pennebaker (PH Films)Now you might think offhand that Timothy Leary (who Nena married in 1964) and Thurman (who Nena married in 1967) have nothing in common, but they actually do -- they have one thing especially in common, The Tibetan Book of the Dead!
online at Erowid:
The Tibetan Book of the Dead is ostensibly a book describing the experiences to be expected at the moment of death, during an intermediate phase lasting forty-nine (seven times seven) days, and during rebirth into another bodily frame. This however is merely the exoteric framework which the Tibetan Buddhists used to cloak their mystical teachings. The language and symbolism of death rituals of Bonism, the traditional pre-Buddhist Tibetan religion, were skillfully blended with Buddhist conceptions. The esoteric meaning, as it has been interpreted in this manual, is that it is death of the ego and rebirth that is described, not of the body. Lama Govinda indicates this clearly in his introduction when he writes: "It is a book for the living as well as the dying." The book's esoteric meaning is often concealed beneath many layers of symbolism. It was not intended for general reading. It was designed to be understood only by one who was to be initiated personally by a guru into the Buddhist mystical doctrines, into the pre-mortem-death- rebirth experience. These doctrines have been kept a closely guarded secret for many centuries, for fear that naive or careless application would do harm. In translating such an esoteric text, therefore, there are two steps: one, the rendering of the original text into English; and two, the practical interpretation of the text for its uses. In publishing this practical interpretation for use in the psychedelic drug session, we are in a sense breaking with the tradition of secrecy and thus contravening the teachings of the lama-gurus.
Leary's adaptation of the TBOTD stresses ego death rather than real death. Thurman has his own translation. And while Leary was introduced to Von Schlebrugge by Salvador Dali, Thurman is a personal friend of the Dali Lama. Get the 'Dali' connection? Here's what Robert has to say about his relation to Buddhism:
Now we go to Nena's own mom, Uma's maternal grandmother, who posed for the below statue:
It's cool, but for our purposes the below left one is much more interesting:
(L) Skogsrå - Axel Ebbe, 1913 / 1930. Axel Ebbes konsthall, Trelleborg, Sweden.
"The girl to the right is Uma Thurman’s grandmother Birgit Holmquist, married Von Schleebrügge. The sculpture was originally made in 1913, but the artist changed the girl’s face in 1930 and used Uma Thurman’s grandmother Birgit as his model. Birgit later married a German baron in Berlin, but left Germany for Mexico during the war. Uma’s mother Nena Schlebrügge was born in Mexico City, and became a model like her mother, not for art but for fashion. Birgit returned to Germany in later years; she wanted to be buried in her hometown Trelleborg, so that’s where she rests now.Surely we can link the creature represented by this statue to both common reports of alien abductions (just using the parlance of their time, long before the events of 1947), and the TBOTD since the description of the huldra matches descriptions of certain kinds of ghost-demons along the way to reincarnation (through the Sidpa Bardo) that come on like beautiful, inviting women writhing in sexual invitation, and when you get close enough to their sexual heat, they ensnare you and become ancient crones, then devouring fiends. Seeing writhing sexual figures in flames or shadows on the wall while on LSD is common, and perhaps represents a less immersive version of this lesson, this parable for age and death, the way the invitation to life is always in the process of corrupting itself. Von Schlebrügge is perhaps the princess of this process, at least in a persona / mask wearer capacity and one can perhaps divulge from this that she is an immortal with a soul stretching back to her aeons as Isis herself.
"A “skogsrå” (“rå” is pronounced “raw” and means watcher, “skogs” means “connected to/from to the forest”. Watcher of the forest, in other words) is both a beautiful wood nymph and an ugly hag at the same time. She lures people into the forest with her beautiful looks, and when they are too deep in to find their way back, she turns her back at them and then she looks just like a tree trunk. The charmed one is lost, deep in the forest. The skogsrå or huldra is mainly a trickster, not so much a demon. She can have sex with humans if she wants to, and if she does, they become silent and withdrawn afterwards, because then she has their soul. The skogsrå is also the ruler of all the animals in the forest. "(Source: The curator of the museum Axel Ebbes konsthall and genealogists Bo Lindwall & Gert Påhlsson.)
|Nena Von Schlebrugge|
But I go into more detail on this aspect of the story over in the Acidemic Journal of Film and Media #7: The Nordics issue, check out the expanded Uma Thurman is from Venus story here) I only want to touch on it for the sake of common-thread weaving. We can't ignore facets of the story just because of the evil that resulted. Much has been written (but not enough) for example, on the relationship of the Vinyanas in the Mahabarrata to the Hannebu UFO aircraft made in Germany under the guidance of mystic Maria Osric. The link above will delve more into it, but more shall be revealed still...(Uma) Thurman's maternal grandfather was Colonel Baron Friedrich Karl Johannes von Schlebrügge, a German military officer who had become one of the senior Nazi spies in the Americas but who was also jailed by the Nazis for protecting Jewish friends -Wiki:
One can't connect it all without the weird hard-to-believe encounters with friendly Nordics by George Adamski and Billy Meier. True or hoax, we learn from them and other sources that the Nordics are very tall, as are Uma and Nena.
Nordics and The Pleiadians youtube made by gorgeous mystic Gigi Young, who looks not a little bit like Nena Von Schlebrugge! Coincidence? She seems to know more than a little about the Nordics, and like Nena she went from fashion into eastern spiritual realms, as it were and her genetic resemblance to the goddesses above is surely no coincidence
Well, by now the interconnectedness of these links has left me slightly exhausted. I'd like to close by saying I mean no disrespect to anyone I've mentioned. I'm a big fan of Robert Thurman's work in making Tibetan Buddhism both understandable and academically valid in the west. And I adore Uma, and can tell from her photos and choices in men alone that her mom Nena is a hell of a lady. So take all I've said with a grain of sand..which contains the universe in its entirety in microcosm... and just ponder the weird ways in which the higher levels of consciousness breed beauty with wisdom to the benefit of us all, and realize to be beautiful and prosperous is the first step is to become altruistic instead of egocentric. Let go of your morbid self interest and as John Lennon said "relax and float downstream... it is not dying." Hell no, JL, it is beginning... even if all that's beginning is the ending.