How can String theory and Einstein's space-time continuum be explained via the music of Sun Ra? I think by now you know the answer. Space is the place and free-form jazz is all about time, but it just has to go. And now there's more visual aids out there in the form of INTERSTELLAR, particularly the 'bookshelf' segment. If you haven't seen the movie yet well its entirely your own fault. Time is something you've had lots of... the aliens of your future self’s subconscious are scraping at your cellar door of dreams, so let's dig in... or out. First up is to see this confirmation of how time-space looks when you're able to step outside of it, by which I mean, out of time and space into the nowhere of in between. Observe the video still above of a cougar and a horse running, with each 'moment' captured as time and space move forward (see below video). We can easily imagine these slices in terms of music (the beats) or a strip of film (each frame a slice). In both, if we watch closely (this effect is slightly lost on video), we can imagine we see the slice of black silence in between each snapshot, the flicker of time and space our mind empties out -- death at 24 frames a second.... life on a 4/4 count... or whatever tempo Sun Ra's working on, or celestial frequency tuning into. Near a black hole or outside of space time, of course, the old notes stay around, they don't vanish as each new one comes along, and every image projected onscreen stays there, with the new ones lapping over it.
Now, if we take this 'slicing' of time space and examine the bookshelf scene from INTERSTELLAR we see what time-space's snapshot slices might be visualized as - an interlocked room of bands of time and energy across which one's astronaut mind is fused to the building blocks of the universe time-space itself; the observer defining the observed through the act of observing. When good jazz musicians tap into this, a strange magical kind of ESP forms between the players. They lose themselves in the group mind and their music interlocks perfectly.
But when I saw that crazy bookshelf room in INTERSTELLAR I knew I'd been there. Mine, instead of electric brown, yellow, and gold bands was brown, yellow, and red Tibetan demon lizard god faces, all breathing in and out and watching me with their mouths open, impassive, their strange breathing blowing me around the space as I floated similar to Matt McConaughey in that room. Here's a collage I did trying to give an idea - as you can see the part in the middle is supposed to indicate depth, like a 3-D room, but I ran out of energy. Still you get the idea.
Imagine floating through this like a giant gas bag, breathing in and out like every demon is watching you yet also not watching you. How do I know - I've been out there, bro. Maybe you have too... if it looks familiar you've been there. Even Lenny's been there in Simpsons.
Now, take a look at this other still below -again of the cougar and how it would look if it was running towards you:
Now imagine you're from some ancient culture in India, or a prophet in the Old Testament, as I discussed in the Black Hole Hindu Ganesh Ezekiel Connection... and you meditate and fast or chant your way outside of time and space; as your third eye opens wide and transcends and replaces your working normal physical eyes, essentially aligning your entire self, conscious, unconscious, sleeping, waking, dreaming so that you see the same thing with your eyes closed or open - this weird effect, the 'trippy' effect generated in old Doors videos (and in the cougar and above images) and so forth, manifests...and we get a glimmer of this zone...
|how a single astronaut would look to a distant observer entering a black hole (theoretically)|
as time dilates and slows the astronaut's past ceases to erase itself, leaving the refracted image of himself
behind for all eternity (OK - or herself)
|(distant observer) - horse walking as seen from outside space time continuum as per above PBS video|
|(from third eye) Kali (a two armed deity outside time and space raising and lowering Her arms)|
Well, I mean, I guess, that's it - it's just jazz man. I don't like Sun Ra's music that much while I'm moored in space-time like I've been for a few years now, but if I ever decide to leave again, to spread out over the outer rims, as it were, I'd love it as I used to - for space jazz, sky church music, as Hendrix called it, reaches out to the beyond times, collapsing normal senses of melody and structure and creating sacred spaces outside therein... like the INTERSTELLAR book nook.
|from top: Interstellar, Ezekiel seeing the wheel (folk art?), Sun Ra|